Saturday 28 February 2015

Satis House

Satis House is the gothic mansion home of Miss Havisham and young Estella. This was the house Estella was brought up in and where Miss Havisham was abandoned on her wedding day and where she remained for the rest of her life, then died in. Although I have an idea from film and TV portrayals of what Satis House looked like, I decided to look further into the details and descriptions of the house to get a feel of what it was really like so I can imagine how being there effected Miss Havisham and Estella mentally and physically. I think Satis House is a portrayal of Miss Havishams mental well being after her heart was broken by her intended husband and shows how her motivation and positive outlook on life completely disintegrated from that day forward.


"Within a quarter of an hour we came to Miss Havisham's House, which was of old brick, and dismal, and had a great many iron bars to it. Some of the windows had been walled up; of those that remained, all the lower were rustily barred. There was a courtyard in front, and that was barred... I peeped in... and saw that at the side of the house there was a large brewery. No brewing was going on in it, and none seemed to have gone on for a long time (54)."

"...The first thing I noticed was, that the passages were all dark, and that she had left a candle burning there. [Estella] took it up, and we went through more passages and up a staircase, and still it was all dark, and only the candle lighted us (55)."

"From that room, too, the daylight was completely excluded, and it had an airless smell that was oppressive. A fire had been lately kindled in the damp old-fashioned grate, and it was more disposed to go out than to burn up... Certain wintry branches of candles on the high chimney-piece faintly lighted the chamber... It was spacious, and I dare say had once been handsome, but every discernible thing in it was covered with dust and mould, and dropping to pieces. The most prominent object was a long table with a table-cloth spread on it, as if the feast had been in preparation when the house and the clocks all stopped together. An epergne or centre-piece of some kind was in the middle of this cloth; it was so heavily overhung with cobwebs that its form was quite undistinguishable; and, as I looked along the yellow expanse out of which I remember it seeming to grow, like a black fungus, I saw speckled-legged spiders with blotchy bodies running home to it, and running out from it...I heard the mice too, rattling behind the panels... the black-beetles took no notice of the agitation and groped about the earth in a ponderous elderly way (82-83)."

Using the research and reading I have done and my portrayals from films and TV I made a mind map of what I think Satis House would be like:



http://i.dailymail.co.uk/i/pix/2011/11/22/article-0-0EE5E74500000578-342_634x434.jpg
http://www.filmscapes.co.uk/control/wp-content/uploads/2012/09/Satis-House-0201-564x600.jpg
http://www.philmology.com/wp-content/uploads/2012/04/great_expectations_2011_bbc_behind_the_scenes_01.jpg

https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEic7ftP9r0ua_dJd0Xb36dNbL_uPMjIDtKWMP_5kGhXDqlzZN65mac2hAKQgvzdknaAbtxcT9JtBfn0H9EOLhktJ0krTGBcI8T9VPPI9lMiq1RHdQVLCBdv8MjDBLx_aO6k0q_nowN2VsY/s320/ghostly-wedding-banquet.jpg
https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixJpsEB1VoQHh4hwBlrESk6GUgKw24t1kP7gOrBxujGRezfkjqeEKvZdKtzGmHe2pmM_EkVZgzeSK7bT7MrTUk34np9BB2N-2TXVr8STL35dprFVMIu4zYLWqCQkkXxJPFqoZ0uHKxkRil/s1600/slideshow_ep1_07+Pip+in+Satis+House.jpg
https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUAmuSDgokxxpZ_Fs-C-J1ZP85KKI-zfDXY41jCtFPLdowEE1ncTlIXHc9pxlez6zI5iAN0aN2iyUu_rUzzyhH0jn48a3HlZtKUgLuQhq8dTWKkDD5RIjUuldPxm5AccxHY0PDC-_Ie1ay/s1600/roger_film_08.jpg
https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCr9K0QO01KyOZ-v_Sg62Iddze1kWd4bn9usCivYkTdqjeGnqmx50LZrkzvDYecxv9Ee3YTizeQ5pvhKpdsn5kmjFFVm0jnLGd_JiR7KR6XJaaFQ5Rsids2pNNKqfrkL1JHY_cIdaTBfpl/s1600/roger_film_07.jpg
https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixJpsEB1VoQHh4hwBlrESk6GUgKw24t1kP7gOrBxujGRezfkjqeEKvZdKtzGmHe2pmM_EkVZgzeSK7bT7MrTUk34np9BB2N-2TXVr8STL35dprFVMIu4zYLWqCQkkXxJPFqoZ0uHKxkRil/s1600/slideshow_ep1_07+Pip+in+Satis+House.jpg
https://www.pinterest.com/pin/225531893810035479/

References:
http://thedesignersmuse.blogspot.co.uk/2012/04/new-on-masterpiece-classic-great.html
http://www.enotes.com/homework-help/describe-miss-havisham-her-house-24291
 

Victorian weddings

I have discovered a lot this term about traditions and trends that I have never known any different (like Christmas trees and presents at Christmas and that wearing black at a funeral to show respect) were initially started by our late Queen Victoria, I have now learnt that she is also the reason brides wear white on their wedding day! White became the iconic and traditional colour for a brides dress to be after Queen Victoria chose to wear a white dress when she married Prince Albert. Previously brides had worn their Sunday best and dresses in pale green, brown and for older women black was sometimes worn.

http://thedreamstress.com/wp-content/uploads/2011/04/Queen_Victoria.jpg
Weddings were much smaller affairs for the Victorians and only family and close friends would attend, much different than those that happen today although many of their traditions are kept today however the more fortunate made more of a big deal out of the event to show their social status. People were often married within the same social class and often for economically beneficial reasons. People from a more privileged families would have someone to chaperon the couple at all times leading up to the wedding so that they could not be alone to make sure the bride and groom were pure on their wedding day. This is also the era that engagement rings were introduced in so that the man could show his commitment to his wife-to-be, the ring was usually a plain gold band with the initials of the bride and groom and the date of their wedding day.

Up until the 1880's it was required by law to get married in the morning either in the church or at home but after it was extended until 3pm. This is also when the tradition of the groom not seeing the bride until the wedding began for good luck. At the ceremony bells were rung to drive out evil forces and it was thought that dropping the wedding ring would free the ring from evil spirits. After the ceremony the bride and groom would  often host an informal breakfast where a wedding cake was shared out to the guests and they could celebrate the marriage.

http://www.angelpig.net/victorian/wedding_feast.jpg

References:
http://classroom.synonym.com/victorian-era-wedding-traditions-7133.html
http://www.angelpig.net/victorian/ceremony.html

The mourning Queen

http://www.bbc.co.uk/arts/yourpaintings/paintings/prince-consort-prince-albert-18191861-79903


Queen Eizabeth was our longest serving Queen, spending 63 years on the throne. When Prince Albert passed away at the age of 42 in December 1861after 21 years of marriage and 9 children, it changed Queen Victorias life forever. She spent the rest of her 40 years alive isolated, rarely making public appearances in her home at Windsor Castle or Balmoral in Scotland where Albert and her had shared many happy memories. She mourned Prince Alberts death also by wearing black for the remainder of her life as a sign of respect. Every day she would have servants bring hot water up to his room for his morning shave, his clothes laid out, his chamber pot changed and his bed made, just like it had been done when he was alive. 
https://c1.staticflickr.com/5/4057/4681561151_bb40e98f5c_z.jpg
http://i.telegraph.co.uk/multimedia/archive/02101/victoria-albert_2101024b.jpg
  
"How I, who leant on him for all and everything—without whom I did nothing, moved not a finger, arranged not a print or photograph, didn't put on a gown or bonnet if he didn't approve it shall go on, to live, to move, to help myself in difficult moments?" - Queen Victoria wrote to her daughter Victoria

The Queen had statues made of him, mementos were displayed around the royal palaces, she wore a locket constantly with a piece of his hair in and in many of her portraits there was a sign or portrait of Albert in the background too. She made her first public appearance after his death in October 1863 only to unveil a statue of Albert in Aberdeen. The poor mourning Queen never got over the death of her beloved Albert.

https://bohosojo.files.wordpress.com/2012/03/queen-victoria1.jpg

Queen Victoria became a trendsetter in the way she mourned her husbands death and the Victorian people copied her and set traditions to show respect and mourn for their loved ones. Women had to stay secluded like Victoria did although men continued to work through their mourning period. They would wear black and over time changed the colour of the fabrics to mark how long it had been since their loved one had passed, for example after about 6 months they could begin to wear purples and greys. Momento mori objects were made and death masks and photographs taken. (See Consumption and deathliness post)
Aswell as being a trendsetter in the way she mourned, people admired and copied the way she raised and cared for her children. It was Queen Victoria who began the tradition to have a Christmas tree and send gifts and cards around the festive period. Can you imagine a Christmas without decorations and gifts?!

References:
http://www.history.co.uk/study-topics/history-of-death/victorians-and-the-art-of-dying
http://royalcentral.co.uk/blogs/the-widow-of-windsor-a-queen-in-mourning-9585
http://www.sparknotes.com/biography/victoria/section5.rhtml

 

Friday 27 February 2015

Death masks

In class with Sharon we created our own death mask photographs using make-up and our phone cameras. We began by taking a selfie and turning it black and white we then adjusted the contrast to give it a more dramatic and harsh shadowed effect, we used this photo to work from and tried to create the same look on our own faces using black and white Supracolor greasepaints. When we had finished we took another selfie on our phone and changed it to black and white, after this we adjusted the setting and compared them to the initial photograph.


 Reference photo

 After make-up

After photograph with effects





Consumption and deathliness & Momento Mori

The Victorians practically invented ghost stories, they loved them and were very good at telling them. Ghost stories were a lash back at all the new scientific discoveries and technologies, medicine, building etc.
They loved the terror and were fascinated with death and what happened after. The stories aimed to surprise and unsettle the audience.
These days only 18% of the British population die at home, the rest die in hospital or a care home so we aren't used to seeing death and dealing with it ourselves, however the Victorians would have experienced death closely, this was before medicine progression and sanitisation. When people were ill they would die at home and the whole family would see and experience everything, it was completely normal to them. If someone was dying everyone would rush to the bed side to be with them when they finally passed

Infant morality and child birth:
It was very unlikely that you would live very long, especially as a young baby. Women died of blood loss or bacterial infections during child birth and also the baby too.

Fatal diseases
If you survived childhood this was the next thing that would probably kill you.
Small pox - those who survived were often left blind and with scars.
TB - Which is on the rise again in Britain. Their lungs deteriorated and they died coughing up lungs and blood.

Cholera
A product of over population at the time. People raced into the city from the countryside to work which caused over population and slums began. There were no sewers so the city was left covered in animal and human feces and it went into the water supplies so people washed in it and drank it. Gross?!
People were filthy and malnurished in the slums.
60% of children survived
If you were working class labourer you had 20% chance of surviving
Most people died by 22
The factory workers suffered from excruciating injuries caused by the dangerous machinery but they didn't have the medicine to help
The hours they worked were awful and people fell asleep at the machines

Queen Victoria
Known for mourned prince Alberta death by wearing black for 40 years
People would lay out his clothes everyday, clean his chamber pot and make his bed as if he were still alive
Queen Victoria wore a locket with his hair attached and in most of her portraits his portrait was somewhere visible 
She was a trendsetter in how she mourned, looked after and raised her children, how she dressed 
She introduced Xmas trees, Xmas cards, presents. Christmas wouldn't be the event and tradition we know it without Queen Victoria

Momento mori (Reminder of death) - Objects made to reminds someone of the death of the loved one. Eg death masks and lockets with hair in.
Death masks were created in wax and sometimes bronze.
Cemeteries became a place to think and reflect, they were almost treated like a park.
Graces were very elaborate and extravagant because they were so important to the families of the dead.
People would come with their families and bring a picnic, particularly the middle classes with flowers and tend to the graves. 

The unknown woman of the Seine - an unknown woman who drowned in the Siene river in the late 1800's death mask appeared on the walls of artists homes after 1900. A pathologist at the Paris morgue was so taken with the peacefulness and beauty of the young girl that he had a mould made to create a death mask. Her eery smile has been compared to the Mona Lisa. The identity was never discovered and as no signs of violence were found it was suspected that her death was caused by suicide.

http://en.wikipedia.org/wiki/L%27Inconnue_de_la_Seine#mediaviewer/File:L%27inconnue_de_la_Seine_(masque_mortuaire).jpg

Photography and death:
Photography was invented in 1839 
Most people couldn't afford a photography session, only when someone died they would be able to afford a shoot as a keepsake for their lives. They would pose the dead in normal positions in bed or on a sofa or in the arms of a loved one and this would happen a few weeks after they died so all the relatives could come and attend the funeral. This is called Momento mori photograph.
The body is rigid for a few days and then after it becomes is flexible again.
This would often be the only photograph of the person ever so it would be cherished.

Victorian spirit photography 
They discovered double exposure to make the alive and dead appear in one image job a really creepy way
They were been excited about this

Jewellery 
They would cut a lock of the dead loved one and wrap it or arrange it really nicely and put it in jewellery or a locket. As this was mainly for people with more money poor women would try alternative method by wrapping hair around things like hair pins and create something similar for themselves.
A black market began of people knocking on doors claiming to have a lock of the persons dead loved one and try to sell it, saying they had been close or old friends of theirs.

Mourning etiquette and traditions
- People in mourning would not attend social events or places of amusement to respect their lost loved one for up to a year
- Condolences were made about 10 days after the death to give the close family time to grieve in peace
- They wrapped the door handles in black material tied with a white ribbon to let people know not to ring the doorbell as not to cause further upset to the mourners
- Curtains were drawn
- Clocks stopped at the time of death
- Mirrors were covered with fabric to prevent the spirit getting trapped in the looking glass
- The body was watched at all times until buried "wake"
- Funeral cards/invitations were made and given out
- They paid for mourners to attend the funeral, you paid for someone to cry at the funeral
- Corsets were largely used and people would faint so women had a fear of fainting and appearing dead and being burried alive. They attached a bell above ground on the grave with a little cord into the coffin so if someone was alive they could ring the bell for help.

Burns

Products:
Gelatine - Kryolan £7.99 for a block
Gellac - Available in Flesh, Dark flesh, Scar and Blood in a bottle £11
Gelatine by Dr Oetker from a supermarket
Bottle Gellac - put in a bowl with water to warm up
Can also use latex
Don't need a barrier protector with gelatine as it's gentle on the skin
Test the temperature as you could burn someone if it's too hot, test on the back of your own hand
Can scrape some aqua/supra colour once gelatines melted to change colour
Can use gelatine for fashion makeup to add texture eg. Add glitter AFTER it's been melted in the microwave 
Glycerine - adds shine, can be used for sweat. 

Fire burns - black and charred 
Chemical burns - smooth and shiny 
Acid burns - shiny and smooth, red raw

Kryolan block gelatine - put a chunk size of your choice in a bowl and put it in the microwave for 10 seconds and check, then another 10 seconds and see if it's melted enough 
Put the bottle of Gellac in a bowl with some water in for 1 minute, check how it's doing after 15 seconds, give it a shake, give it another 15 seconds and check again and if you think it's ready to use test the temperature on the back of your hand.
Get the gelatine on a spatulas and spread it on to the location of the body blended at the edges, then if you want a rough burn tap it with the spatula to make it rough and bubbly looking for texture and effect.
Get a hair dryer, checking it's cool and dry the gelatine using the side to side motion to avoid rippling and spreading. Once it's dry powder it so when you colour it the brush doesn't stick to it. This gives it a more skin like appearance. To add more texture you can use something sharp like teezers or a pin to pick at it.
Take your grease palette or colouring tool of choice and brushes and add some colour to make it look sore and realistic. Don't use too much product to make it look like it's been painted on, make it more translucent and use stippling effect.





Monday 23 February 2015

Bruising, cuts, grazes and scars

Notes: 
How old is the bruise/cut/wound?
Bruise and cut wheels from Charles Fox are really handy if you aren't using Kryolan Supracolor
If you use a fixing spray always use before adding fake blood
If the wound is on the face create the wound before making up the rest of the face
If making a bruise apply the base before
Don't powder bruises, add Vaseline or MAC shine so it looks more swollen and like a "shiner"
Can buy red eye drops to make the eyes look red and sore from Charles Fox, a pencil can also be purchased to make the rims of he eyes red
Fake blood: for new cuts use a lighter blood and darker for older cuts and wounds 
Always make sure you place the wound or bruise in a realistic location for where they were injured and how 
After making someone up apply the blood once they are lying down or in the position they hurt themselves in so that blood runs naturally and in the right direction to make it seem more real
If someone has broken their nose they will have two black eyes
Think about the object that hurt them to determine what the injury would look like if it was real 

Equipment:
Tuplast 
Non flexible collodion 
Latex
Sealer 
Cine wax
Wound filler
Blood
Pus
Ben NYE palettes or supra colour
Foundation/concealor
Vaseline 
Stipple sponges 
Spatula

Wounds 
1. Take wax from the can with the spatula and work it onto the back of your hand
2. Smooth it onto the skin so the edges are perfectly blended out using your palette knife to make it look a part of your skin
3. Clean your palette knife so there is no wax residue to avoid sticking
4. Use the palette knife to cut down the middle of the wax
5. Use latex or sealer over the wax
-If using latex pour a small amount into a bowl 
-If using sealer use straight from he bottle with 
-You have to work fast with latex or it will dry and create a rough texture
-Blend the latex out with finger
6.Text hair dryer and then use it bal and forwards in little motions till it drys and becomes transparent and feels like skin
7.Use something sharp like a pin very carefully to pick at the wax to make it look more fleshy and realistic
8.If you're happy with the way it looks you can begin to paint it skin coloured
9.Use your spatula to pick up a little bit of wound filler and put it into the cut you made
10. Take a little blood on a stipple sponge to add to the surrounding area 



I wasn't very happy with this cut I made in class, I thought it looked too unrealistic and the latex dried too quickly around the edges so it became very rough and peeling off in little bits. Next time I try this I would like to have a go using sealer to see if it has a smoother and more natural finish as I have only ever used latex.


Scars
1. Apply Tuplast from the tube straight onto the skin in a line or the shape of the scar you want and leave to dry.
2. If you want use something sharp like a pin or the sharp edge of your spatula to add texture.
3. Make up the scar so that it blends in with the skin and looks realistic.

Bruises
1. Start by prepping the face so that the makeup blends and goes on easily, cleanse, tone and moisturise.
2. Make sure you have done your research and know what bruises look like in colour as they age and heal so you can create the most accurate and realistic bruise possible. Also think about where the bruise should be placed and where the person was harmed so you can place your makeup more accurately.
3. Begin lightly, don't go right in immediately with the darkest colours. Bruises can have yellow, green, blue, black/grey, red and purple tones.
4. Begin with a yellowy shade and make sure to blend the product well so it looks like the actual skin.
5. Once you have built up the lighter colours then begin to add depth with darker shades.
6. You can use a tiny bit of red on a stippling sponge to create a mottled and burst blood vessel effect.
7. To make your black eye really look like a shiner you can add some Vaseline or MAC shine to make it look more swollen.

Grazes
1. If the graze is going to be on the face you might want to add a base, if you do, do this before adding the graze/scratch.
2. Grazes are often found on the more pointy areas such as the nose, chin, elbows, knuckles and knees, consider this before creating your wound. Also remember to think about how and where the person was hurt, what did they scrape themselves with?
3. Depending on what kind of graze you are making you may want to use a red supra color or just fake blood, add either to a black stipple sponge and lightly drag across the skin. This will give the effect of a very realistic graze if done correctly.
4. Fake dirt/gravel can be added for an added touch to the graze if wanted.

Split Lip
1. Apply barrier cream before using the collodion on the area 
2. Ask your model to tilt their hair back to avoid dripping and apply the collodion to the desired part of the lip
3. While the collodion is wet pinch the part of the lip it is applied to together and hold tory, you can also use your spatula to help shape the lip
4. Add colour and fake blood if and where needed.


Wednesday 11 February 2015

Effects of ageing on the skin

Everyone ages differently and different life choices and conditions of living can either help or make the skin age more quickly and harshly. Sun and pollution effects the skin and body which is why it is important to avoid too much contact with the sun or without a good sun protection lotion. Bad habits such as smoking and excessive drinking as everyone knows is bad not only for your health but ages you prematurely as well as a unhealthy diet. Other factors that can also make the skin age earlier on are things such as stress, the way you move your face, obesity etc. 
Ways to avoid early ageing and to reduce the signs are to have a healthy diet and drink plenty of water, avoid smoking and excessive drinking
Physical effects of ageing of the skin:
- The skin loses its elasticity so becomes wrinkled
- The skin thins
- The skin appears more translucent 
- You become more prone to broken capillaries
- Sun exposure can cause dark spots on the skin
- People with lighter skin show signs of ageing more than those with darker skin
- Senile purpura can occur which is bleeding and bruising under the skin 
- As cheeks droop jowls form
- Eyelids and eyebrows droop
- Lack of fat around the nose, chin, eyes, temples etc. make the face more gaunt looking.








http://www.webmd.com/beauty/aging/cosmetic-procedures-aging-skin
http://www.nlm.nih.gov/medlineplus/ency/article/004014.htm
http://www.webmd.com/beauty/aging/effects-of-aging-on-skin 
http://www.skintreatmentweb.info/wp-content/uploads/2014/05/Wrinkled-skin.jpg
http://www.caddellslaserclinic.com/Assets/skin%20care/wrinkled%20skin.jpg
http://skincarebylouisa.com/wp-content/gallery/wrinkles/wrinkles7.jpg
http://www.regionalderm.com/Regional_Derm/RD_Large/Solar_purpura1.jpg
http://castleknockcosmetics.ie/wp2/wp-content/gallery/sagging-jowls/sagging-jowls-1.jpg
http://www.spray-tan-byron-bay.com/images/Rosacea.jpg

Ageing for theatre & television

Theatrical ageing
In Sue's lesson she taught us theatrical ageing which was a really fun as I haven't done this before. In the theatre the make-up has to be very dramatic and over the top so it can be seen on stage from whatever areas the audience are sitting in to watch, as people are sitting quite far away from the stage it doesn't have to be very realistic and neat as this won't be noticed from a far unlike in TV shows and films where the HD camera shows absolutely every detail of the face and body which means make-up has to be realistic and perfect. Here are images of my in class practical and then a go I had at home on one of my flatmates. 

Equipment:
- Very small brush
- Foundation brush 
- Disposable mascara wand
- Black stipple sponge
- Kryolan Supra Color palette
- Kryolan foundation palette
- Kryolan tooth enamel in Nicotine
- Cotton buds

1) Use the Supra Color palette to mix a brown shade using yellow, green, blue and red.
2) I first applied moisturiser and a light base of foundation over the face before I began adding wrinkles so it was easier to blend.
3) I then asked my model to pull faces which accentuated and pulled out where the natural wrinkles of the skin are, while she was pulling the faces I used the brown Supra Colour and smallest brush to fill in the creases. I concentrated mainly on the forehead, the nose, around the mouth and the outside corners of the eyes.
4) Once I had marked all the wrinkles out with Supra Color I used my fingers to pat it into the skin and blend it out so it looked like shadows instead of painted on lines.
5) You can add more black in to the Supra Color to add depth and a lighter base to highlight the non-wrinkled areas. I also dabbed a bit of base onto the lips to make them appear more creased and smaller.
6) Using my disposable mascara wand and Supra Color (white with a tiny amount of yellow mixed in) I ran it through the lashes and eyebrows so they appeared a whitey-grey colour for an extra touch.
7) As the old character we were creating had a bad lifestyle including lots of smoking and alcohol we used Nicotine Tooth Enamel by Kryolan to stain some of the teeth. For this I used a clean cotton bud to dry the tooth, asking the model to smile to bare her teeth and then added the tooth enamel to another cotton bud and dabbed it onto the tooth to cause staining.





TV & Film
Equipment:
- Latex sponge
- Hair dryer
- Barrier cream
- Kryolan Old Age Stipple

1) First cover the area you are going to work on with a good barrier cream (we used hands).
2) Pour the Old Age Stipple into a bowl but don't pour out to much incase you don't use it, add more if necessary as you go along.
3) Stretch the skin taught and using a latex sponge apply the Old Age Stipple to the area using dabbing and feathering motions so you don't leave an obvious edge, this will make it much more realistic to the eye and under a HD camera.
4) Use a hair dryer to dry between layers on a cool setting, make sure to test the heat on your own skin first. Make sure it isn't on a strong setting as this can disturb the product you have carefully applied.
5) Make sure the product is dry and then you can build up layers until you are happy with the results using the steps above.

As you can see from the pictures below this has a really convincing ageing effect, it does not look like a hand that belongs to an 18 year old. 




 

Tuesday 10 February 2015

High Definition Broadcasting

High Definition TV means the resolution is higher than standard television which has been around over 60 years, giving the overall viewing experience a brighter, sharper, more lifelike effect. It is the highest quality digital format available and is a much more enjoyable experience for the audience, whilst making the make-up artists job that little bit harder. The increased pixilated image which can be between 5-10 times more sharper than on a standard TV set means that no pore, hair, wrinkle or imperfection goes unnoticed. This means that a heavily made up face can look caked and over powdered under the HD camera, make-up artists have dealt with this by using airbrushing as a technique to eliminate the appearance of make-up on top of the skin and brush strokes etc. Airbrushing gives a more natural, untouched but flawless outcome. This technique isn't favoured by all, some people prefur the traditional application of bases with foundations they have been using for years and don't want to change. It is also a technique that takes a while to perfect while being a lot more expensive than regular foundations, but for HD TV airbrushing works a treat and is particularly effective over people with skin conditions such as acne scarring.
As well as the more simple applications of make-up, the more complicated side such as prosthetics and wigs/hair application has to be perfect too. To make casualty make-up and prosthetic pieces that have been added to models/actors etc. they have to be blended perfectly into their skin while paying attention to the detail so it looks as if it is real and not make-up. Wigs and fake hair pieces such as mustaches have to be applied and disguised so that the lace does not show up under the camera and that the hair itself looks natural on the actor that is modelling it. As well as special techniques and products that have been created in the make-up department to assist in making the most realistic and effective outcome, on the technical side of things filtration techniques, softening the light and degrading the image so that its not so highly defined and overall more flattering.

References:
http://www.today.com/id/24581670/ns/today-entertainment/t/hd-unforgiving-actors-makeup-artists/#.VOPbIi4oa8B
http://www.creativeartistryfx.com/high_resolution_media.pdf